Athens, GA 11/9/2010 5:08:30 AM
News / Art

A "late triumph" Over Nazism: 11 banned Sculptures Found And Restored In Berlin

The sculptures, which had been classified as "degenerate" art by the Nazis are now going to be proudly on display in Berlin

Art has always been a cause for controversy in some, but a recent find in Berlin has been called “a late triumph” over the Hitler’s Nazis and a very dark chapter in human history. Archaeologists digging near Berlin’s City Hall while the area was being excavated for a new metro line, had been hoping to find some remnant of the city’s medieval history, but instead stumbled upon eleven sculptures that had been classified as “degenerate” by the Nazi Regime.


The works included bronzes by Otto Baum, Marg Moll, Edwin Scharff, Gustav Heinrich Wolff, Naum Slutzky and Karl Knappe. Also included were remnants of ceramics by Otto Freundlich, and Emy Roeder, as well as three pieces which have not been identified.  The works were found in the basement of a bombed out house, where they’d been undisturbed for more than 60 years. 


Some of the pieces are famous, and were even used in Nazi propaganda disparaging Jewish art dealers for selling such “degenerate” pieces. The director of Berlin’s George Kolbe Museum, Ursel Berger, explained that the reasons for which art may have been classified as “degenerate” were completely arbitrary: “…it may have been because the figures were too fat, too thin or because they had a bulbous nose.” 


The mayor of Berlin, Klaus Wowereit told the press that the find represented a “document of resistance” because they may have belonged to Erhard Oewerdieck who had once owned a house on the property.


He was known to have provided aid to Jews trying to escape the nazi regime during the Second World War, and he and his wife were later awarded an honorary title: “Righteous Amoung the Nations” at the war’s end.  One of the archaeologists from the site, Mattias Wemhoff explained that the decision has been made not to restore the works to their original appearance.


Instead, the team feels that some of the evidence of fire damage should remain, “so that the fire's effect on them is still visible -- that way they are testament to their own fate.” The works can be viewed on display at Berlin’s New Museum.